Ukrainian Curatorial Collective HUDRADA’s latest exhibition “Disputed Territory” was opened in Sevastopol

On the 26th of September 2012 at 16:00 at the Sevastopol Art Museum in Crimea, the Ukrainian curatorial collective HUDRADA is opening its new, 4th exhibition, “Disputed Territory”. The exhibition will include works by nineteen artists from Ukraine and other countries, and is dedicated to the conquest and liberation of social and political territory. The opening few days of the exhibition will feature a packed programme of discussions.

Disputed territories are rips in the stiff fabric of a world which is split into spheres of influence. They are animate spaces, formed by the changeable whims of human wisdom and madness. They offer hope for change, and are attractive because they give you a chance to place your bets, to take part in the game. They promise gratification through confrontations, and they are capable of bringing conflict back to life in places where you might think that bleak dogmatic constructs had taken root for good. The value of disputed territories lies in hope and in duality.

We are moving along a volatile border, a place from which we can discern the constant shifting of battle lines, the point where the violent outburst is concentrated, as it occurs again and again.

Where exactly is this disputed territory?

tumblr masyc5Uv9f1qizr97

The core interests of “Disputed Territory” are in social interaction, in exclusion, in marginalisation, gender and sexuality, in war between private and common interests, in public space and its acquisition, in the choices people make as civilians, politicians, and activists, and above all in the field of power.

Could these be the very places from which we can launch our own pre-emptive strike, today?

To keep disputed territories within our field of view means we have to violate subordinate connections, to burst through the dam of ideological decoration to a place where hope springs forth from feelings of loss and discomfort.

We have to break away from the absorbing power of parody and new religious doctrines with their clear consciences, and move towards a reality in which disputed territories are still subject to political conquest, and are ready to become places which people can inhabit.

Exhibition curators: HUDRADA collective

Exhibition participants: Adrian Paci (Albania), Anna Zvyagintseva, Ivan Melnichuk, YevgeniaBelorusets, Nikita Kadan, Yuri Solomko, Esther Kempf (Switzerland), Aleksey Salmanov, SimonaRota (Spain), LesyaKhomenko, LadaNakonechna, Aleksey Gnedenko, AlinaKleitman, UlyanaBychenkova, NikolayRidniy, TanzLaboratorium, FNO (Russia), R.E.P.

More about the “Disputed Territory”

Yevgenia Belorusets Portrait of Amal
Photographs, 2012

Yevgenia Belorusets
Portrait of Amal 
Photographs, 2012 // Photo: Hudrada 


Exhibition view // Photo: Hudrada


День перекладацької солідарності на Форумі видавців

13 вересня у Львові у Центрі міської історії Центрально-Східної Європи під час 19-го Форуму видавців та міжнародного перекладацького фестивалю TRANSLIT відбудеться масштабна подія – День перекладацької солідарності, присвячений заснуванню нової незалежної Творчої спілки перекладачів та письменників.

Новостворена спілка ставить собі на меті захист творчих та трудових прав українських літераторів і привернення уваги громадськості до економічних, соціальних і змістовних засад їхньої роботи в українському контексті. На сьогодні спілка об’єднала 20 засновників і засновниць, серед яких перекладачі та перекладачки, письменники і публіцисти, що вважають за необхідне радикально реформувати трудові відносини, в яких зараз перебувають українські перекладачі й автори.

Спілка заявить про себе яскравою перформативною та інтелектуальною програмою: день почнеться зустрічами та дискусіями з перекладачами, презентацією перекладних видань і завершиться перформансом та вуличною вечіркою. Ключовою подією заходу стане створення Маніфесту перекладачів, до якого зможуть долучитися усі бажаючі. Ми обʼєдналися, щоб захищати свою людську та професійну гідність. Запрошуємо вас до діалогу й спільної боротьби за зміну свого становища!

Докладніше про ТСПП тут.


pereklad plakat

FAITH PORN LOVE Presentation of the 5th issue of “Prostory” magazine

On Thursday, 26th of July at 7 p.m. the new issue of the magazine “Prostory” titled “Faith, Porn, Love” will be presented in the Visual Culture Research Center at “Zhovten” Cinema (26, Kostyantynivska St.). The editors of the issue Nelya Vakhovska, Kateryna Mishchenko and Nataliya Chermalykh will speak on political love, pornography in literature, social morality and faith in their own faith.

Prostory presentation_eng-283x400


Faith, Porn, Love – isn’t just an issue that combines all the three components of the triad to make entire chapters with literature, philosophical and artistic works, starting from the Vienna Actionists’ prose, contemporary Ukrainian poetry and essays, to French philosophy and “indecent” Italian sonnets from the 16th century. The trinity itself signifies a new logic of thinking and action in the contemporary space without hope. According to this logic, love might solidarize, porno may expose the society’s underside, and faith can overturn the established oppressive order. Also “Faith, Porn, Love” is the slogan used by “Prostory” to oppose the existing reactionary politics of prohibitions and censorship, the fighters against gender and sexuality.


Four art projects at once are presented in the issue: works by French photographer Antoine d’Agata, Ukrainian photographers Yevgeniya Belorusets and Stepan Rudyk, and graphic works by Anatoliy Belov. Among the authors of the issue: classics and coevals from Ukraine, Italy, USA, France, Germany, Austria, Poland, Switzerland, such as Anastasia Afanasyeva, Leonid Ushkalov, Bohdan Storokha, Geneviève Fraisse, Theodor Adorno, Alain Badiou, Aldo Nove, Walter Benjamin, Hermann Nitsch, Roland Barthes, Rosa Luxemburg, Agota Kristof, Audre Lord, and many others.


“Prostory” is an independent literary and artistic platform engaged in publishing an online magazine, and printed periodical, as well as organizing public cultural events.

Work has begun on a new rights initiative for the Arts!

In July 2012 in Kiev, ІСТМ was created - an initiative for self-organised protection of rights for working artists.

This organisation has been founded in order to study the situation concerning the rights of working artists in Ukraine, and to uphold their rights.

We will conduct research into the work of Ukrainian institutions and their interactions with artists, and we will publish the results on the ІСТМ site and in appropriate media.

ІСТМ is ready to work collaboratively with other rights initiatives.

ІСТМ participants: Larissa Babij, Anatoli Byelov, Yevgenia Belorusets, Alexandr Burlaka, Ksenia Gnilitskaya, Anna Zvyagintseva, Nikita Kadan, Yuri Kruchak, Julia Kostereva, Vasyl Lozinski, Andrei Movchan, Ivan Melnychuk, Katerina Mishchenko, Lada Nakonechna, Oleksiy Salmanov, TanzLaboratorium, Lesya Khomenko.

More about ІСТМ


News about “A room of my own”


Exhibition “A room of my own” took place in Art Art-centre „Karman“ in Simferopol (08.06.12 – 30.06.12)

and in Uzhgorod during the Summer-school “Gender, Sexuality, and Power” (July, 2012).


526859 3749519089502_103350487_n 


545126 3749546450186_1439123875_n


554453 3749544450136_20271230_n


601813 3749537929973_1887203912_n


576899 3749534969899_1316305258_n

“I’d rather be a cyborg than a goddess”

Discussion of the Ukrainian translation of Cyborg Manifesto by Donna Haraway

June 21, 2012, Thursday, 18:30, VCRC, Kiev

Cyborg Manifesto: Science, Technology and Socialist Feminism in the Late 20th Century is an ironic utopia about love between humans, living organisms and machines. In the iconic text of the 1980s American biologist and philosopher Donna Haraway analyzes the impact of new technology on postcolonial power system and criticizes essentialist strategies in Western feminisms and socialisms. “I’d rather be a cyborg than a goddess”, – Haraway says, calling upon the politics of cyborg-feminism.

Yevgenia Belorusets – artist, translator, editor of the Prostory magazine; 

Oleksandr Ivashyna – culturologist, Kyiv-Mohyla Acadamy lecturer;

Nadia Parfan – author of the Ukrainian translation of Cyborg Manifesto, Feminist Ofenzyva activist;

Anatoliy Ulyanov – cyborg, transhumanist, curator of internet-project;

Anna Khvyl – culturologist, Feminist Ofenzyva activist.

Moderator – Yelyzaveta Babenko, culturologist, Feminist Ofenzyva activist.

cyborg eng

«Я хочу бути кіборгом, а не богинею»

Презентація українського перекладу Маніфесту кіборгів Донни Гаравей

21 червня 2012, четвер, 18:30

Маніфест кіборгів: наука, технології та соціалістичний фемінізм кінця XX століття – іронічна утопія про любов між людьми, живими організмами та машинами. У культовому тексті 1980-х американська біологиня і філософиня Донна Гарравей аналізує вплив новітніх технологій на постколоніальну систему влади і критикує есенціалістські стратегії західних фемінізмів і соціалізмів. «Я хочу бути кіборгом, а не богинею», – каже Гаравей, закликаючи до політики кіборг-фемінізму.

599007 4229510338546_579870248_n

Скорочена версія перекладу опублікована в третьому номері журналу «Політична критика»

Євгенія Бєлорусець – художниця, перекладачка, редакторка журналу «Простори»;
Олександр Івашина – культуролог, викладач НаУКМА;
Надія Парфан – авторка українського перекладу «Маніфесту кіборгів», активістка «Феміністичної Офензиви»;
Анатолій Ульянов – кіборг, трансгуманіст, куратор інтернет-проекту;
Анна Хвиль – культуролог, активістка «Феміністичної Офензиви».

Модераторка – Єлизавета Бабенко, культуролог, активістка «Феміністичної Офензиви».


May Congress in Kyiv

creative workers, leftist and feminist forces against censorship and discrimination

20-22 May 2012, 12:00 - 21:00 On Sunday, May 20th, 2012 at 12:00 at the Visual Culture Research Center the opening of the first ukrainian May Day Congress of Creative Workers, left-wing and feminist forces will take place.

The united May Day Congress aims to combat all manifestations of artistic and political censorship, as well as gender and sexual discrimination. May Day Congress of Creative Workers is an assembly of artists, theorists, curators, editors, activists and all those involved in activities in the field of alternative culture and humanities. Apart from censorship and political repressions against the Visual Culture Research Center in Kyiv and the Pussy Riot action group in Moscow, we are going to talk about sexual politics and violence in our society. The Congress will be running under the feminist slogan “the personal is political” covering the marginal issues of the mainstream discourse: the patriarchal order of sexual relations, discrimination against women by social and legal norms, the anti-abortion law, the law against “homosexual propaganda”, etc. We encourage creative workers, leftist activists, feminists to unite for the development of alternative cultural, gender, and sexual politics.

We need international involvement of all those interested in the local mechanisms of adoption and implementation of such decisions.

The program of May Day Congress will include presentations, discussions, screenings, book fair, demonstrations, poetry readings, concerts with the participation of international community of artists, intellectuals, and activists.

Organizers: The May Day Congress of Creative Workers (Moscow, Russia), Visual Culture Research Center (Kyiv, Ukraine)


Exhibition “A Room of My Own” attacked on the eve of Ukraine's first gay parade event

On the 19th of May, 2012 at the Centre for Visual Cultural Research in Kiev, two unknown assailants defaced a photographic exhibition by award-winning photographer Yevgenia Belorusets. Using bent-over forks, the attackers damaged documentary photographs depicting the everyday lives of LGBT families in Ukraine.

The attack took place a day before the official closure of the exhibition, which had passed without incident since opening of the exhibition. Two men entered the gallery, waited until other visitors left, then ran along using forks to scratch the surface of the photographs, knocking some of them to the floor. A security guard working in the gallery was not able to detain the assailants. Police have opened an investigation into the attack. A video surveillance system recording of the attackers has been taken as evidence. 

razgrom vyst2


razgrom vyst9

The attack of the exhibition in the media:,,15964415,00.html,_posvyaschennuyu_gey-semyam-102390.html,_prisvyachenu_gey-simyam-102390.html,,15964415,00.html?maca=ukr-standard_feed-ukr-9874-xml


Exhibition of work in progress “A Room of My Own”


photographs by Yevgenia Belorusets

dedicated to the everyday lives of LGBT families in Ukraine


Location:           At the Visual Culture Research Center in Kyiv 

Event:           Within the framework of the project of the Visual Culture Research Center entitled: “Image in the Dark: Contemporary Critical Photography”, which is part of the parallel programme of the 1st Kyiv International Biennale of Contemporary Art ARSENALE 2012, we invite you to attend the opening of the exhibition by Ukrainian photographer and artist Yevgenia Belorusets – “A Room of My Own”. The exhibition organisers are also proud to announce a performance by Ukrainian artist Alevtina Kakhidze to take place on the opening night, entitled: "On the subject of gender discrepancies among inhabitants of the planet Geten"


This exhibition is dedicated to the everyday lives of Ukrainian LGBT and Queer families, who have to overcome harassment and threats of violence on a daily basis because of their sexual orientation or gender identity.


 “A Room of My Own” consists of a series of documentary photographic portraits and testimonies by the stars of this project, who the artist met during trips to various cities across Ukraine.

Through fragmented sketches of domestic life, with all its joys and pains, Yevgenia Belorusets and the heroes and heroines of her project tell their personal stories, affording us a brief glimpse of what lies behind the thick curtain which ordinarily separates their private lives from their public identities.

Silence surrounding the subject of homosexuality both enforces discipline upon and discriminates against the everyday reality of queer people and queer families. Society’s judgement splits people into two camps according to which two sexes people choose to form a family. There are those who can speak about their personal lives, and those who are forbidden to speak it aloud. As a result, one group of people are accorded greater value and relevance simply because of a mythological idea of what constitutes “normality” – a standardisation of human life.

The photographer’s artistic and political intention is to make the invisible visible. To do this, she uses neutral photo-portraits and dialogue with interested parties. Her goal - to reveal that which is hidden – involves overcoming alienation in order to uncover a closed-off world where the participants in this project have found themselves against their will.

The heroes and heroines of “A Room of My Own” agreed to talk about their everyday lives without embellishment, despite the risk they face of being publicly judged.

Texts accompanying pictures, which the photographer wrote down based on interviews with them, are an integral part of the exhibition.

An important element of Yevgenia Belorusets’ artistic statement is her intention to deconstruct negative imagery associated with transgender and homosexual people, which is built on stereotypes and on a desire not to know more about the lives of queer people.

Unfortunately, xenophobia, homophobia and transphobia are widespread in Ukraine. These attitudes impose severe limitations on the personal freedoms of homosexual and transsexual people.

This type of social exclusion can and should be stopped. All of us are equally responsible for ensuring that this happens.

The exhibition includes visual material about a demonstration called “Shut it down and archive it!” (Zakryvay i archivuy!), which took place in protest against censorship of the work of the Visual Culture Research Center at the Kyiv-Mohyla Academy, and the Center’s eventual closure by the Executive Board of the University. It also includes work made especially for this demonstration by architect Oleksandr Burlaka.

Curator:              Nataliya Tchermalykh

Designer:            Aleksandr Burlaka


“A Room of My Own” in the media:">;fb_source=profile_oneline,,15936752,00.html;in=view&id=12269